Ear training: a beginner’s guide
Nine short reads covering the theory you need for functional ear training: find the tonic first, then hear where each note sits in the key. When you’re done, head back to Earchemy to practise.
- Start here: how to learn with Earchemy
The goal is to hear where a note sits in the key — then use that in singing, playing and writing music. - Sound, pitch and note names
First, separate high vs low, tone colour and loudness. - Piano keys, semitones and accidentals
Scales follow rules — not every pair of white keys has a black key between them. - Tonic, scale degrees and key
Find home first — then every note's position makes sense. - The seven notes of major, one by one
Examples use C major. Typical tendencies are listening cues, not composition rules. - Twelve positions and chromatic notes
The 12 pitch positions in an octave only take on specific meaning within a key. - Major, minor, relative keys and modes
The same keys don't necessarily share the same centre. - Intervals, chords and progressions
Hear single elements first, then how they build music. - Meter, melodic dictation and planning your practice
Once you hear the pitches clearly, put them back into rhythm and expression.
References: Functional Ear Trainer · Miles.be · Puget Sound · Music Theory for the 21st-Century Classroom · musictheory.net · Lessons